Reviews and Anthologies |
||
|
Tasty, and Subversive, Too |
Brown, Patricia Leigh, The New York Times |
2013 |
|
Guerrilla Gardeners Unplugged |
Simon, Terrie. Urban Dirt, March (2013): 4. Texas A&M Extension |
2013 |
|
Guerrilla Grafters Go out on a Limb |
Levy, Tom, San Francisco Chronicle and SFGate |
2012 |
|
In San Francisco, a Secret Project Bears Fruit |
Ganga, Maria L., Los Angeles Times |
2012 |
|
Fruitful Disobedience: Guerrilla Grafters Grow Undercover Orchards |
Wilson, Jenny, SmartPlanet (CBS Interactive) |
2012 |
|
Guerrilla Grafters Bring Forbidden Fruit Back To City Trees |
Shavelson, Lonny, National Public Radio |
2012 |
|
Guerrilla Grafters Seek to Bear Fruit on Streets of San Francisco |
Scoles, Brian, Earth Island Journal | Earth Island Institute |
2012 |
|
Guerilla Grafters Bring Fruit to the Masses |
Thomas, Natalie, SFBay |
2012 |
|
Guerrilla Grafters |
Morton, Simon, This Way Up, Radio New Zealand |
2012 |
|
Guerrilla Grafting, a How-To Guide |
Slayton, Joyce, The CHOW Blog (CBS Interactive) |
2012 |
|
Renegade Arborists Creating Forbidden Fruit in San Francisco |
Crawford, Amy, The San Francisco Examiner |
2012 |
|
Guerrilla Grafters Make San Francisco’s Trees More Fruitful |
Scott, Katie, Wired (Conde Nast) |
2011 |
|
What is Internet Art? |
Lunenfeld, Peter, artmagazin.co.yu |
2002 |
|
Telephone Art |
Wilson, Stephen, Information Arts: Intersections of Art, Science, and Technology MIT Press |
2001 |
|
Women, Art and Technology |
Restructuring Power: Telecommunications Works Produced by Women, Judy Malloy, MIT Press |
2001 |
|
Public Art in Cyberspace |
Terri Cohn, Artweek |
2001 |
|
In Search of the Telephone Opera |
Lunenfeld, Peter, Snap To Grid; A User’s Guide to Digital Arts, Media, and Cultures, MIT Press |
2000 |
|
The Elements: Earth |
Terri Cohn, Artweek |
1999 |
|
Day of the Dead, TechnoStyle |
DeMocker, Judy, Wired |
|
|
The Precise Location of a Moment: Artists and Time in Public Space |
Cohn, Terri, Artweek |
1997 |
|
In Search of the Telephone Opera |
Lunenfeld, Peter, Afterimage v. 25, n. 1 |
1997 |
|
Hovering in the Multimedia Background |
Potts, John, RealTime |
1997 |
Presentations |
||
|
Issues in Contemporary Web Design and Activist Art Practice |
Lebanese International University, Sidon, Lebanon |
2012 |
|
Guerrilla Grafting |
Museum of Art and History Santa Cruz |
2011 |
|
Islamic Art and Spirituality |
Gunn High School |
2008 |
|
Garden of Eternal Time – Art and Spirit |
John F. Kennedy University |
1998 |
|
Area Code – Telephone Art |
ISEA International Symposium on Electronic Art, Rotterdam, NL |
1996 |
Publications |
||
|
Biasmap – A Spatial Epidemiology of Hate |
AMOS | Aus guten Gründen seit 1968 2013 Issue 2 |
2013 |
|
Laughter – Every Joke Is A Tiny Revolution |
AMOS | Aus guten Gründen seit 1968 2013 Issue 1 |
2013 |
|
Occupy Possibilities – Reflections On Occupy, Art And Activism |
AMOS | Aus guten Gründen seit 1968 2012 Issue 3 |
2012 |
|
Educating the Third Mind |
Afterimage: The Journal of Media Arts and Cultural Criticism vol 27, No. 3, November/December |
1999 |
|
Local 411: Intimate Conversations in Private Space |
Leonardo Journal vol 31:4, Leonardo On-Line (ISAST) online |
1998 |
|
Intimacy, Concept, Interaction: Artistic Potential of Voice Mail and the Telephone |
Public Culture, Duke University Press, 26/1998 |
1998 |
Awards |
||
|
Excellence in Teaching Award |
Honorable Mention, University of California, Santa Cruz |
2003 |
|
NATOA National Association of Telecommunications Officers and Advisors |
Promotional Video Campaign First Place: Election 2000 Promo Video Text Bulletin Board First Place: Citywatch Bulletin Board |
2001 |
|
Eisner Prize for Excellence in the Arts – New Genres |
University of California at Berkeley Eisner Prize for Excellence in the Arts |
1998 |
|
New Genres Interdisciplinary Project Grant |
National Endowment for the Arts/Andy Warhol Foundation Regional Initiative Artists |
1996 |
|
Project Grant |
New Langton Bay Area Awards, San Francisco |
1995 |